Childhood was the first Hindi song he taught me.I was like any other youngster, so very reluctant to find out singing.When a tiny tot, he sat me one particular day and stated, ��I will teach you a song of childhood.�� And proceeded to teach me��O, bachpan ke din bhula na dena���� (YouTube)Just remembering him sing in his baritone gets the eyes to cloud over even now.In grateful thanks for the great childhood he gave me as well as the immortal present of aesthetics and music appreciation that has been an enduring aspect of my personality.I had by no means observed him refer to any book for the words of a song.We did not even possess a radio at household.I just wondered how he mastered the words so well.And after that I knew.The accurate appreciator of poetry that he was, the words left an indelible impression on his heart.For it to flow from there to his throat was, therefore, effortless.I’ve heard him sing for hours, into the wee hours on the morning at instances, without having any accompaniment, to nobody, for no applause, simply because music welled up in him.He usually urged me to sing with him, but I was like any typically inhibited son, imbibing the music, but not adding my voice to his.There was a standard farewell function as we were to leave school.College beckoned and all of the excitement of becoming a young man, and getting no longer treated like a mere kid.That was the time he recommended a song.He did not force it on me, but stated, ��See should you would prefer to sing this song��.This was the second song he taught the shy reluctant teenager.It was a long forgotten melody even in his time, ��Ruk na sako to jao, tum jao���� (YouTube).It goes like thisRuk na sako to jaao, tum jaao (Repeat)Ek magar hum sabki hai fariyaadKabhi hamari bhi kar lena yaad (Repeat each lines)Hum to tumhe na bhool sakenge (Repeat)Tum chahe bisarao, tum jaao��Ruk na sako to jao, tum jao��.Pyara ratan bichadta ho jab panthiKiska hriday na bhar ata tab panthiKintu hamare ansu se tumKamzori na dikhao, tum jaoRuk na sako to jao, tum jao��.Jane kab phir mile purana saathiJane kab phir mile prem ki paati (Repeat each lines)Aj bichadne se pahele tum (Repeat)Ek bar muskao, tum jao��Ruk na sako to jao, tum jao��.He explained that ��paati�� meant a letter; it was a poetic licence for ��patra,�� and what poetic license meant.He also explained that the original singer stated, ��bichudne�� instead of ��bichadne�� The latter is right, so it really should be pronounced that way in lieu of just like the original.Even when he sang the Saigal numbers, he by no means copied his style or his intense nasal twang.His pronunciation of words was usually impeccable.This was an important lesson to learn, for frequently cover singers ape even the blunders of the original singer, some thing he strongly disapproved of.I don’t forget the still silence in my classroom PubMed ID:http://www.ncbi.nlm.nih.gov/pubmed/21331628 in the th Grade when I sang this song throughout the farewell function.The classmates were stunned.Following I finished, there was silence to get a while after which the applause of close friends.I came to know later that our 3PO manufacturer School Principal had tears in her eyes as I sang.It was not a really well-liked song, ever.But that was not important for him.His likes had been in no way dictated by what was well-liked.It was solely by what appealed to his heart.And he justified singing as an art where, in the event the song did not tug at your heart, you had no organization singing it.He had an incredible fascination for melodious sad songs.He sang the wonderful song of Poet Shailendra sung originally by Talat Mahmud to clarify why he liked themHain sabse madhur woh geet jinheHum dard ke sur mein gaate h.